milipocket.blogg.se - Access virus craigslist desktop

#ACCESS VIRUS CRAIGSLIST DESKTOP MOD#
#ACCESS VIRUS CRAIGSLIST DESKTOP UPDATE#
#ACCESS VIRUS CRAIGSLIST DESKTOP PATCH#
#ACCESS VIRUS CRAIGSLIST DESKTOP FULL#

#ACCESS VIRUS CRAIGSLIST DESKTOP PATCH#

It's truly a one-stop editor for creating complex multi-timbral setups.Īlso, as with other Patch Base editors you have access to our standard bank editors, giving you control for organization and backup of all 512 user-writeable voices as well as the multi bank, too. Voices can be saved and loaded from your library in each voice tab of the multi as well. Each voice is in its own tab, and is saved with the multi.

By "embedded" I mean that both the "general" multi settings are there (volume, key range, midi channel, etc), but also the actual settings for each Voice in the multi are right there as well.

#ACCESS VIRUS CRAIGSLIST DESKTOP FULL#

The Multi editor gives you full control over the embedded multis on the Virus. All of the basics are in the first row, and below that you have full control over the User pattern for the arpeggiator, where you can turn on/off 32 different steps, and control the length and velocity of each step. The Arp tab shows the arpeggiator settings.

#ACCESS VIRUS CRAIGSLIST DESKTOP UPDATE#

But it's all here, and the controls update dynamically based on which mode you select for each of the Effects. You have the Chorus, Phaser, Distortion, Character, EQ, Delay, Reverb, Vocoder, Filter Bank, and Input Follower all on one screen! It's a lot to fit into a single sentence, let alone a single screen. The FX tab shows you all of the Effects section in one screen.

#ACCESS VIRUS CRAIGSLIST DESKTOP MOD#

You have all 3 LFOs, 2 more envelopes, the full Mod Matrix with 6 sources mapping to 18 destinations, and the Soft Knob settings.

The Mod tab is where the modulation happens.

Here you have full control over the 3 oscillators and all of their modes, the 2 filters, FM, Ring Mod, and sync settings, the Filter and Amp envelopes, and the other "common" parameters for a voice.

The Main tab shows you the core of the sound.

The Voice Editor is split into 4 tabs, organizing the hundreds of available parameters into something more digestable. The Virus TI editor (which also supports the TI2) is almost identical, with the exception of offering 16-part Multis rather than the TI Snow's 4 parts.

Below I'll go in-depth with the Virus TI Snow editor. The editors Patch Base now offers capture all of that depth in a compact form for quick access to any part of the synth. And the TI line in particular has the most parameters I think I've seen! The modulation capabilities and the deep effects sections of the synth are astounding. The Virus is the best-sounding virtual analog synth I've heard. But now here we are in March, and the new Access Virus editors are here as well.

And they are complex! Then February came, and almost a week of that month left our home without electricity (and heat) due to the worst winter storm Texas has seen in my lifetime. I gladly took him up on the offer.ĭecember and January were mostly eaten up by fixing bugs and improving performance in Patch Base, not to mention avoiding other viruses, so it wasn't until the end of January that I actually got to work with these synths. Here's the story direct from Patch Base mainman, Chadwick.īack in November, friend of Patch Base Stefan George (who helped with the MKS-50 and DW-8000 editors) contacted me asking if I'd like to borrow a Access Virus C and Virus TI Snow in order to make editors for them. Editor/librarians for the Access Virus TI, TI Snow, and Virus C synths are now available in the iPad and Mac Patch Base apps (a collection of patch editors and librarians for hardware synthesizers).